2022 FotoFocus Biennial

FotoFocus is pleased to announce that the theme for its sixth edition of the FotoFocus Biennial will be World Record. The 2022 Biennial will activate museums, galleries, universities, and public spaces throughout Greater Cincinnati, Northern Kentucky,​ ​Dayton,​ and​ Columbus, Ohio, in October 2022, with a concentrated week of programming held October 1–8, 2022, and preview events on September 30, 2022

The theme World Record considers film and photography’s extensive record of life on earth, while exploring humankind’s impact on the natural world and the choices—for ill or good—we now face as a global community. 

Since its invention, photography has recorded plant varieties, animal species and behaviors, habitats, weather conditions, geologic upheavals, as well as the “other worlds” of moons, planets, stars, and galaxies. This mass documentation has fed knowledge, creating a scientific record that has enriched our understanding of life. But it has also contributed to the exploitation of natural resources and their increasing scarcity, lending data to rampant industrial development that threatens the very resources it is based on.

World Record also refers to records, as in breaking records. World records have traditionally been thought of positively as records of quantifiable human achievement, but records have come to be associated increasingly with the extremes of the natural world, such as the hottest year on record, record numbers of animal extinctions, record levels of air pollution, record numbers of hurricanes per season, or rising sea levels, all a direct response to human impact on the planet.

The 2022 Biennial will feature new commissions by artists working internationally and in the Greater Cincinnati region, in addition to new exhibitions and film programming curated by the FotoFocus team and FotoFocus guest curators. The first announced commissions and exhibitions are listed below. Additional information and programming will be released over the coming year.

FotoFocus Curators

  • Kevin Moore, Artistic Director and Curator
  • Carissa Barnard, Deputy Director of Exhibitions and Programming

FotoFocus Guest Curators

  • Amara Antilla, Senior Curator at the Contemporary Arts Center, Cincinnati, OH
  • Ylinka Barotto, Associate Curator at the Moody Center for the Arts, Rice University, Houston, TX
  • Makeda Best, Richard L. Menschel Curator of Photography at the Harvard Art Museums, Cambridge, MA
  • Matt Distel, Exhibitions Director for The Carnegie, Covington, KY
  • Ariel Goldberg, Writer and Independent Curator, New York, NY
  • Tony Oursler, Multimedia Artist, New York, NY

FotoFocus Curated Projects

Solo Exhibitions

  • An exhibition by New York-based artist Baseera Khan at the Contemporary Arts Center, Cincinnati, co-curated by Amara Antilla (Senior Curator at the Contemporary Arts Center, Cincinnati) and Ylinka Barotto (Associate Curator at the Moody Center for the Arts, Rice University). In their work, Khan sublimates colonial histories through performance and sculpture in order to map geographies of the future.
  • A show by New York-based artist Tony Oursler, co-curated by the artist and Kevin Moore (FotoFocus Artistic Director and Curator). Oursler’s work, always rooted in the media of painting and film, hearkens back to the media’s past while looking forward to the fully networked, digitally assisted future of image and identity production.
  • A large-scale, public, site-specific artwork by Australian transdisciplinary artist Ian Strange, curated by Kevin Moore (FotoFocus Artistic Director and Curator). Strange explores architecture, space, and the home in his work.
  • A multi-site, experiential public video installation by artist Liz Roberts, curated by Carissa Barnard (FotoFocus Deputy Director of Exhibitions and Programming). Roberts uses moving image and sound to recreate the cinematic experience of the open road—revealing a collective fear and false sense of security along the journey.

Group Exhibitions

  • On the Line, a group exhibition at the Contemporary Arts Center co-curated by Makeda Best (Richard L. Menschel Curator of Photography at the Harvard Art Museums) and Kevin Moore (FotoFocus Artistic Director and Curator). Focusing on performance and climate, the exhibition comprises a diverse group of artists centered geographically in the Americas.
  • Images on which to build, a group show at the Contemporary Arts Center curated by writer and independent curator Ariel Goldberg, presents a range of photographic practices, from slideshows to archiving, to understand spaces for learning within LGBTQ and feminist grassroots activism of the 1970-1990s. 
  • A special collaborative project curated by Matt Distel (Exhibitions Director for The Carnegie, Covington, KY). A Cincinnati native, Distel will develop an exhibition at The Carnegie focused on artists from the region, in collaboration with outside partners.

Become a 2022 FotoFocus Biennial Participating Venue

Participating Venues are considered for inclusion in the FotoFocus Biennial based on an application that exhibits artistic merit and excellence, is in alignment with the FotoFocus mission, and responds to the 2022 FotoFocus Biennial theme, World Record. Projects must be photography, film or lens-based for consideration. Venues must be located within the Greater Cincinnati, Northern Kentucky, Dayton and Columbus, Ohio region to be eligible.

Update: Applications are now closed. Venues are invited to apply to the 2022 FotoFocus Biennial: World Record with proposals addressing the theme on a range of topics, including nature and science; exploration; space travel and outer space; climate change and its impact on societies; social lives of human beings within various environments, cultural as well as natural; forms of energy, past and present; the cultivation of natural resources, mineral and animal; and utopian and dystopian visions of man in nature. The application deadline is Friday, September 17, 2021.

Press Release (PDF): FotoFocus Announces 2022 Biennial Theme: World Record

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