The Lens

Isaac Julien’s Lessons of the Hour, a key work in Revival, is a poetic meditation on Frederick Douglass’ life informed by some of the abolitionist’s most important speeches, such as “Lessons of the Hour,” “What to the Slave Is the 4th of July?,” and “Lecture on Pictures.” Douglass, the most photographed man of the 19th century, believed in the power of art and technology to shape lives and society. The still image of Douglass, his wife Anna Murray Douglass, and the noted African-American photographer J.P. Ball, Serenade, attests to the importance of the role of representation, in both politics and aesthetics, in... Continue reading Revival: Digging Into Yesterday, Planting Tomorrow

Charles Fontayne and William S. Porter's 1848 Cincinnati Riverfront Panorama is both an iconic image and scientific marvel. The human stories within the daguerreotype still live and reveal themselves anew with each fresh dive into city directories, newspaper articles, and historical archives. Through the lens of microscopes, ever-evolving in strength and precision, viewers can witness the ongoing chemical processes on daguerreotype plates. Images from these microscopes reveal how a combination of elements, introduced in the initial development process over 170 years ago, continue to engage and interact with the environment.

This project aids in the understanding of deterioration of... Continue reading Depth of Field: The Universe of the Daguerreotype

Inhabited: Stories of the Past is a photo-based mural weaving together the narratives of people and place, using a building as its canvas and inspiration. This mural seamlessly integrates archival and contemporary images, capturing the essence of individuals connected to the building's rich history. The fusion of artist-captured perspectives, archival photographs, and community submissions within the mural creates a compelling visual narrative that transcends time, unveiling often-overlooked facets of history. Collected stories from submitted photographs enrich the project, adding layers of depth and context.

Lead artist, Erika NJ Allen, believes the mural is more... Continue reading Inhabited: Stories of the Past

The Sidney Project is an archive exhibition of photopolymer prints and other ephemera, resulting in a series of three books that document the architecture, history, and personal stories of the people who have lived at 2878, 2880, and 2930 Sidney Avenue in Camp Washington in Cincinnati, Ohio. A neighborhood that once cultivated a deep sense of community amongst the 21,000 residents during the 1920s and 30s now only has 1,234 people residing there. With much of the residential housing stock demolished as a result of the construction of Interstate 75, parking needs, and general blight, this exhibition focuses on three still-standing structures... Continue reading Lacey Haslam: The Sidney Project

Willy Castellanos’ post-documentary practice emerged from the photographic record he made in Havana, Cuba, during the 1994 Rafter Crisis. Despite the scarcity of 35mm film in the years following the fall of the Berlin Wall, Castellanos photographed complete sequences of events that included the construction of the rafts, farewell rituals, and scenes of crowds launching into the sea. Between August and September 1994, over 35,000 Cubans embarked toward the United States on hand-built rafts in what became one of the most dramatic exoduses in contemporary history.

A decade ago, the exhibition Exodus: Alternate... Continue reading Willy Castellanos: Exodus. Alternate Documents (1994–2024)