FotoFocus and Weston Art Gallery present Liz Roberts: Post Blonde at CampSITE Sculpture Park. This new site-specific commission presents an uninhabited drive-in tableau in which one automobile is left and others are repeatedly disembodied to form a large movie screen made from salvaged windshields. Nostalgic and thirsty for typical road movie tropes, the installation references the resurgence of drive-ins and the pining for collective voyeurism of movie screenings.

The projections of a winding Cincinnati road within the vehicle’s windows move slowly, almost at the pace of walking. The video on the screen alludes to the notion of an afterlife,... Continue

This exhibition highlights works concerned with the ebb and flow of social, political, and artistic trends and how these tropes and themes can return with differing focus and intensity. Presenting the swell of ideas, explorations, and concerns of emerging photographers from within the Midwest, the exhibition demonstrates how they see, process, and contextualize the recurrence and reemergence of social, political, and artistic trends in their own practices that establishes a new World Record. This exhibition serves as an artistic interpretation of world events/records from the perspective of emerging artists from across the Midwest. New Tides Continue

Baseera Khan shifts seamlessly between media to explore the interconnectedness of capital, politics, and the body. Their work in video, photography, sculpture, and performance creates spaces of reprieve, beauty, and safety, while also critiquing power structures and knowledge systems that systematically exclude or misrepresent marginalized populations. For their first solo exhibition in the Midwest, Khan brings together new and recent collages, sculptures, and video, alongside a major new commission that responds to architectural signifiers of power. Monumental in scale, Painful Arc (Shoulder-High) (2022), features a classical Islamic arch clad with custom pictographic paneling inscribed with loaded cultural... Continue

What is the relationship between the natural world and civilization? Is it a battle between human creation and the natural world, an intense struggle to dominate the land? Or a soft, sad lullaby, pushing and pulling slowly like the tide between the two forces? This relationship is varied and nuanced from societal to personal disruptions. Nature responds, reclaiming its space after the impact of human life. The artists in I Don’t Know How to Love You: The Relationship Between Humans and Nature challenge the construction of narratives around this relationship. Sayler/Morris, a... Continue

All houses, once lived in, have stories. Some are mere whispers, others scream. A home’s visual history interprets the movements of its residents, through time. Like us, houses breathe and have lives. In Mature, the images of the Stair House capture the passage of time before the transformation into a new chapter arrives. This new chapter is coupled with the passing of Marie Ward (1927–2020), who lived in the house for the past 50 years, and speaks to the Appalachian-migration experience of Cincinnati in the mid-20th century. A video interview with Ward speaks to the experience of living... Continue