Photo by Jacob Drabik

The Lens

The Lens is the FotoFocus editorial platform, highlighting our programming and featuring in-depth conversations on photography and the moving image drawn from perspectives and insights in our community, throughout our region, and around the globe.


FotoFocus in Dayton: Nine Shows You Don’t Want to Miss

Posted on September 6, 2018

Sometimes you need to get out of town, see something fresh, and stretch your brain muscles. And sometimes, that can mean just a short jaunt up I-75. If you’ve got the itch, you’re in luck—FotoFocus has a road trip mapped out for you. This fall, spend a day in Dayton and delve into a fascinating array of photography and lens-based Biennial exhibitions at a host of art havens around the Gem City. There’s the iconic and architecturally beautiful Dayton Art institute showing Muse: Mickalene Thomas Photographs. You may recognize Thomas, who shows internationally, as the photographer of the first individual Continue

Meet The Curator: Carissa Barnard

Posted on August 30, 2018

When Carissa Barnard was completing her fine arts degree at the University of Arizona, she felt a kinship with photographers as fellow artists. For the 2018 Biennial, Barnard, FotoFocus's Deputy Director of Exhibitions and Programming, curates two contrasting shows: Wide Angle: Photography Out of Bounds and Chris Engman: Prospect and Refuge, each exploring a different account of photography’s “realness” and what it means to create a visual document with such a tenuous connection to truth. Chris Engman is known for his photographs of constructed sets. What can we expect from Prospect and Refuge? His practice is to saturate a man-made structure (e.g., a garage) and cover the... Continue

Camp Washington, Clifton, and Northside Get the FotoFocus Neighborhood Spotlight October 13

Posted on August 23, 2018

As part of the 2018 Biennial, FotoFocus is featuring five Neighborhood Spotlight Days: Opportunities to visit multiple Participating Venues in certain geographic locations on a day when artists, curators, and more will likely be present, along with other neighborhood activities—a great chance to dive into the energy of the Biennial...and map out a plan to get to venues in a year with such a chock-full exhibition list. Each day, you’re invited on a journey through art and the communities hosting it. The Lens will tell you how to experience the stirring and sensational work spread across the region’s diverse and... Continue

Recent Arrivals: Two Upcoming FotoFocus Exhibitions Feature Artwork Created by Immigrants and Refugees

Posted on August 16, 2018

Two Participating Venues in this year’s FotoFocus Biennial feature exhibitions that explore the lives of refugees and immigrants, as seen through their own eyes. Prairie, Inc. in Northside will exhibit photographs made by clients of the local Refugee Resettlement Program in New American Stories, and the University of Cincinnati’s Clermont College Park National Bank Art Gallery will host an exhibition titled New World: Refugees and Immigrants Photograph the Experience of a New Life in America. For much of the past five years, photographer and Executive Director of Prairie, Inc. David Rosenthal has largely used his gallery as an office space and fabrication area related to ongoing... Continue

Meet the Curator: Ulrike Meyer Stump

Posted on August 8, 2018

In No Two Alike: Karl Blossfeldt, Francis Bruguière, Thomas Ruff, FotoFocus Guest Curator Ulrike Meyer Stump re-stages an iconic 20th-century photo exhibition with a modern twist. Here, the independent curator and Zurich University of the Arts lecturer discusses abstraction, Paris, and curatorial problem solving. No Two Alike re-conceives a 1929 London exhibition featuring photographs by German sculptor Karl Blossfeldt and American photographer Francis Bruguière. What is most memorable about this pairing, and why is the exhibition worth revisiting? The combination of Blossfeldt’s plant photographs and Bruguière’s experimental photographic designs is surprising. They were initially created in entirely different contexts: Blossfeldt’s as teaching materials for Jugendstil designers... Continue